I’m writing a young adult fantasy novel. I’ve researched the market, so I know what other authors are writing and I know what sells. My question is this: must I write the one thousandth novel about a “chosen one” who saves the world? It seems like such a cliché. On the other hand, if this is a trope that readers expect, what’s the harm in using it? Maybe I just don’t understand the difference between a trope and cliche, so I guess that’s my real question: trope, cliché, what’s the difference?
A trope is an ingredient. Let’s say your son has asked for a grilled cheese sandwich for lunch. He wants bread, cheese, and butter, toasted up medium well. Think of those ingredients as tropes. They are essential to make that particular kind of food. In romance, you’ve got the meet-cute, the first kiss, the happily ever after. In mystery, you have the dead body, the misfit detective, and the midpoint plot twist. Other tropes, like the chosen one or the fired cop solving the crime anyway or the marriage of convenience are perfectly fine. They are the bread and butter and cheese of our books. You literally can’t make a book without them, just like you can’t make a sandwich without bread.
A cliché is like an ingredient that’s been sitting out on the counter too long. So long, in fact, that it’s gone bad. The bread is moldy and the butter is rancid. It might have been fine once, but now it’s spoiled. If you make a grilled cheese sandwich with moldy bread, it will still be a grilled cheese sandwich, but your kid won’t want to eat it.
Clichés are things that have been done to death, such as the villain’s monologue or the literal saving of a cat. These have been done so many times, in fact, that they are ripe for parody. So when we’re watching The Incredibles and Buddy says “You caught me monologuing,” we laugh because it’s such a cliché that it’s funny.
In short, tropes are good. They are the healthy ingredients that make up our stories. Readers want them and love them. Clichés are tropes that have been on the shelf so long that they’ve gone bad. They are not healthy or good for readers, or for you.
And the terrible part is, we are never sure when a trope becomes a cliché. Here’s my thought. If you’re using a trope and still getting a good story out of it, something that feels like a fresh take (using fresh ingredients) then you’re absolutely fine. You don’t have to subvert the trope or turn it on its head, you just have to make sure you’re bringing something fun and new to the table. Maybe you’re writing the cynical detective story, but instead of a grizzled veteran who’s seen it all, he’s twenty-two. Why such cynicism in one so young? That’s your story.
The other way to make a trope work for you is to reach deep within yourself to bring the most authentic, heartfelt version of that story into the world. Think of it as artisanal grilled cheese on sourdough bread with local farm cheddar and hand-churned butter. So to take our cynical detective story, perhaps he fits the stereotype to a T. He’s sixty years old, lives alone, trusts no one, keeps a bottle of Scotch in his file cabinet and a loaded pistol in his pocket, and solves crimes between benders. How did your detective get this way? What heartbreaking part of his backstory could you explore? (By the way, if you want to see this done well, read the Matthew Scudder books by Lawrence Block. Tropes galore. Awesome books.)
You’ve got to go deep if you’re taking this approach to fiction, though, and it has to be one hundred percent sincere. You have to write that trope with all the honesty and emotion you have, because the moment you wink at the audience, you’re done for.
However, where things go badly is when you’re using a trope in a lazy way, just coloring in an outline that someone else has made, with nothing new and no sincerity. If you “write to market” in this shallow way, you’re using rancid ingredients and you’re going to end up writing a cliché.
So go ahead and use those tropes! They are the vital ingredients your story needs. Just be sure you’re using the best ingredients you can find and you’re treating them with respect. And then, cook them up and serve them to a happy audience.
Keep writing, you’re doing great.
Alex Kourvo is a freelance editor with over a decade of experience helping writers. She is the author of The Big-Picture Revision Checklist, which is out now.