Even professional writers can do NaNoWriMo.
I’m doing it. I’m going to participate in National Novel Writing Month this year. I’ve signed up on the website and I’ve got my project outlined and ready to go.
I also feel a little bit silly. I’m a professional writer, author of four published books and numerous short stories. I teach a class for beginning writers, encouraging new authors to write more, and I practice what I preach. As a full-time writer, I typically write more than 1667 words a day and will have no trouble finishing 50k words in a month. I’ve written fast before, and sustained it long-term, so I know the pace is reasonable.
And yet, I still want to try NaNoWriMo.
National Novel Writing Month has gone on every November since 1999. The challenge is to write a 50,000 word novel in a single month. There are no prizes other than bragging rights, but NaNoWriMo is extremely popular, attracting hundreds of thousands of participants. Some people take it on as a fun lark, just to see if they can do it. Others see it as a viable way to write a first draft quickly. Most of the participants are beginners or early in their careers. Professional writers are usually on the other side of the fence, cheering the participants on.
But today, I’m a beginning writer too. I’ve started writing in a new genre, which means basically starting over. As I’m learning the tropes and conventions of romance novels, I’m freaking myself out a little bit. I’m keenly aware of how much I don’t know, and it leads to second-guessing myself at the keyboard.
Writing with one finger on the delete key is no way to finish a book. If I’m ever going to get out of my own way, I’ve got to keep moving forward, filling page after page until I reach the end. NaNoWriMo seems to be the perfect opportunity at the perfect time. I’ll have an online community of writers, accountability, and no fear of bad results. In NaNoWriMo land, there is no such thing as awkward sentences, nonsensical plots, or putrid prose. Those are problems for later, during the revision stage.
In November, the only thing that matters is word count. You either have words on your page or you don’t. By the end of the month, I will have 50,000 of them.
You. Yes, you. You’re doing just fine.
Have you seen this quote? It shows up around social media a lot.
It’s supposed to be funny…I think? I don’t find it so. O’Connor goes on to say that many a bestseller would have been prevented by a good teacher. Because how dare some people think they can write? In O’Connor’s world, not even a college degree is enough to prevent bad writing.
I find this attitude infuriating. I know there are more bad writers than good ones. I also know that some people think they are good writers when they are not. Or more accurately, they aren’t good writers yet.
That’s what bothers me most about the idea of “stifling writers.” It feeds into the myth of innate talent, as if pro writers never had to learn their craft but were born knowing how to write flawless first drafts.
Some people think the way to help new writers is to cut them down—otherwise known as “telling them the truth.” But writing well is hard work and the publishing process is soul-sucking. Why add to that misery?
I teach a class. I help new writers. When I read their sample pages, I tell them they are doing just fine. I tell them to to keep writing. Because you know what? That is the truth. The most important thing a beginning writer can do is write more. It’s the only way to get better.
I’m not patronizing or condescending. I give solid advice in addition to praise. I recommend books that can help with specific problems. And when it comes to publishing questions, I tell it like it is, with no sugar-coating.
But I don’t spend a lot of time trying to fix someone’s manuscript. Leaving my own fingerprints all over someone else’s pages won’t help them. It will only make them believe they can’t do it themselves. But what will help them is knowing that someone sees their potential, thinks they are on the right track, and is rooting for them.
That’s what other writers did for me. And that’s what I will always, always do for other writers.
And there’s no way anyone can stifle that.