Could this be the perfect workout for writers?
Some people love going to the gym. I am not one of those people. The gym seems like hell to me, mainly because I’m not doing anything. Picking up a heavy object and putting it down again or running in place on a treadmill just feels pointless. And if something doesn’t have a purpose, I won’t do it.
So I don’t exercise. Ever. Instead, I move my body. I do activities. I go places. I play.
I have one of these instead of a desk.
I walk to the library or the bank or the post office. Anything within two miles of my house is considered walking distance and most things I need are in that zone. Shoveling snow or weeding the garden gives me the satisfaction of a job well done.
And then I discovered shovelgloving. It changed everything. I’m actually doing weight training and I like it.
Shovelgloving is when you take an old sledgehammer, (the shovel) and wrap an old sweater around it (the glove) and use that tool to perform the kinds of moves you’d use in everyday life. You bend and twist as if you’re shoveling snow or lifting boxes or chopping wood.
It’s functional fitness, meaning that you’re building the muscles you’ll need for life, not to achieve some kind of idealized gym body. Maybe I won’t be the cutest zombie killer in the coming age, but I’ll be the most badass.
I kid, I kid. But only a little. Because while shovelgloving is extremely practical, it’s also fun. To me, it’s the ultimate roleplay. The originator of shovelgloving encourages this, although he thinks you should pretend to do very boring things like pitching hay or stoking a fire.
But if you’re going to swing a ridiculous sweater-covered sledgehammer around, why not have fun with it? When I move this way, I’m smiting orcs. When I move that way, I’m canoeing down a mighty river. When I’m shovelgloving, I’m pulling the rope that will ring the cathedral bells or digging my way to freedom or lighting the top of the bonfire.
I’m a practical gal, but I’m also a writer with a vibrant imagination. I never want to exercise. I just want to move around and tell myself stories. Shovelgloving is the perfect activity.
Now, if you’ll excuse me, I think there might be some monsters in my basement. Or maybe some buried treasure I need to dig up. Who knows what might be down there? But I’ve got a sweater-wrapped, eight-pound sledgehammer to take on another epic adventure.
About the Author: Alex Kourvo is a freelance editor. She has never belonged to a gym.
There is a writing book for every problem.
When people find out that I review how-to books for writers, they often ask me, “What’s your favorite?” I always sweat and stammer and give a vague answer, because how can I choose just one?
I have over 200 how-to books on my shelf, and those are just the keepers. My favorites are the practical ones. Airy theory is nice, but I prefer the books that get right into the trenches with me, through concrete examples and positive action steps.
Even though I can’t recommend a one-size-fits-all book, I’m good at recommending specific books for specific problems. So here are ten books to take with you on your novel writing journey. Whether you’re looking for help with character, plot, or just getting your butt in the chair, these are my top ten problem-solvers.
For help with plot, read Save the Cat Writes a Novel by Jessica Brody. This book breaks down popular novels to show you exactly how they were put together. Understanding story structure is the fastest way for a writer to “level up” her craft.
For help with characters, read Dynamic Characters by Nancy Kress. This book gives authors tools to create three-dimensional characters. All the examples are positive ones, focusing on what works, rather than what does not.
For help with emotion, read Writing with Emotion, Tension and Conflict by Cheryl St. John. This is the book to read after you’ve mastered plot and character, because the deeper you can make your readers feel things, the more they will connect with your novel.
For help with dialogue, read Writing Vivid Dialogue by Rayne Hall. This is a book I’ve wanted for years. There are dozens of very bad books about dialogue on the shelf. Ignore them. This is the one you need.
To learn about stakes, read Story Stakes by H.R. D’Costa. It will give you tools you to make your stories as gripping as possible. There’s an art to upping the stakes, and this book will show you how.
For help with outlines, read Outlining Your Novel by K.M. Weiland. It’s truly the outline book for everyone, whether you’re a meticulous plotter or a fly-by-your-seat pantser. This book will show you how to use an outline and why you should.
To learn good habits, read Lifelong Writing Habit by Chris Fox. It’s guaranteed to help you get your butt into the writing chair every day. The books listed above are great for story craft, but it’s the daily grind that will make a real writer out of you.
To learn time management, read Eat That Frog! by Brian Tracy. It’s the book you need when just getting to the writing desk is a struggle. This book will help you beat procrastination once and for all.
To push yourself, read Writing Fiction for All You’re Worth by James Scott Bell. It’s inspirational, but it includes solid instruction along with its cheerleading. This book is about never-ending self-improvement, stressing the inner work a writer must do to have a long-term career.
And for a dose of wisdom, read Writing the Novel from Plot to Print to Pixel by Lawrence Block. For so many reasons, this book will always be special to me. It’s a practically a complete writing course in one volume and is so full of good advice it’s like having a paperback-sized mentor you can consult at any time.
About the author: Alex Kourvo is a freelance editor. She gives back to the writing community by reviewing how-to books on the Writing Slices blog.
Three very different authors each tackle writer’s block their own way.
The other day, someone asked me about writer’s block. Did I ever get it? Did I ever blog about ways to cope with it? Did I have any advice for him?
Like I usually do in such circumstances, I recommended a book. Three of them, in fact.
If you want to know why you’re blocked, read The Courage To Write. Ralph Keyes takes a deep dive into the fears that all writers experience. Why are writers afraid? Because a good novel is an intensely emotional experience. In order to make our readers feel things, we have to feel them too. Few people want to face their own deepest passions and then put them on a page for everyone to read. But Keyes will show you that you’re not alone, and that your anxiety is totally normal.
If you’re looking for the kind of compassionate wisdom an older sister would give you, read Make Your Writing Bloom. Shonell Bacon is frank about obstacles that get in the way of writing. But she overcame those obstacles and is absolutely sure that you can do the same. With a positive outlook and gentle encouragement, Bacon reminds writers why they love the craft so much.
On the other end of the spectrum is Break Writer’s Block Now. Jerrold Mundis is serious about writing, about hard work, and about getting out of your own way to get those words written. He wants writers to stop loading writing with a bunch of emotional baggage and just get it done. Mundis advocates forming a habit and writing no matter what.
So there you go. Psychology, sisterly love, or a kick in the pants. If you’re suffering from writer’s block, one of these should fit the bill. At different times in my career, all of them have helped me.
About the Author: Alex Kourvo is an editor-for-hire. She reviews how-to books for writers at the Writing Slices blog.
Three no-bullshit rules for happier living.
Do you have rules for life? I have a lot, although most of them are common sense and many are more like guidelines than actual rules. But I have three unbreakable ones.
1. Leave useless lectures
I love a good informative presentation. I seek out opportunities to hear smart people say smart things, and TED talks are my jam. But I’ll leave any presentation that consists of the speaker reading the slides out loud. I’ve walked out of three important meetings this year and will happily walk out of more. These meetings were billed as “essential” and “attendance mandatory,” like the one about college scholarships and the one about a big field trip for my kid.
But this is a hard limit for me. If the presenter is doing PowerPoint Karaoke, I’m leaving. I know how to read. I don’t need anyone to do it for me. But what about the question-and-answer period that always comes at the end? Isn’t that valuable? No. The questions are always super specific and come from people seeking an exception to the rules. No one asks a question seeking clarification. They all want a dispensation.
Fun fact: one hundred percent of the time, the lecture I’ve left has either included a handout or a website with all the information on it. There is never any downside to walking out of a purely informational meeting because the information is always available elsewhere.
2. Never keep a folder of papers
People love to give me those shiny cardboard folders filled with papers. I got my taxes done with a new accountant. She gave me a folder. I hired a realtor to sell my house. She gave me a folder. I got a new insurance policy. It came with a folder. My doctor, my banker, my lawyer…in fact, it seems that anytime I hire someone, trying to deal with them adult-to-adult, I’m given a folder, as if I were a child still in school.
I have my own filing cabinet and folders don’t fit in it. Besides, ninety percent of what’s in the folder is crap and the other ten percent can be found online. I can’t stop people from giving me folders, but I don’t have to keep them. I take out anything with my signature on it, file it in my own filing cabinet, and immediately recycle the rest of the papers and the stupid folder too.
3. Don’t photograph events
Every time I go to a show, a play or a concert, especially one my child is in, my phone/camera is powered off and in my pocket. I came to the event to experience it, not to document it.
I’m a parent of two musicians. My kids have been in multiple concerts every year since fifth grade and I’ve adored every single one of them. But I don’t have photos to prove it. What would be the point? Music is auditory. Plays are a story told in time. They can’t be captured by a static image. Besides, studies have shown that taking photographs can keep us from forming detailed memories. Do I want to hear the music, or do I want to stare through a three-inch screen trying to get the perfect picture that I’ll post to Facebook and never look at again?
I take photos of my children after the show. They look amazing in their band tuxedos and after the concert, they are relaxed and happy. But during the show, I sit down, shut up, and listen to the music.
These three rules for life have eased my way and made me happier. I’m thinking of adding a fourth rule: delete all voicemails without listening to them. My mom still calls me sometimes, so that one isn’t absolute. But for everyone else? Text me.
About the Author: Alex Kourvo is an editor-for-hire who knows that writing rules are more like guidelines.
[Photo by Sholeh used under a creative commons 2.0 license]
You don’t have to be an artist to make your sign a work of art.
Marches are a regular part of my life these days, and every good protester needs a sign. I used to just grab a piece of cardboard from the recycling bin and throw some words on it. My signs were legible, and my message sincere, but my designs left a lot be desired.
With three protests in April, I needed to up my sign-making game. After all, if I care enough to march, I care enough to make a good sign. The problem? I don’t have much free time, I refuse to buy any new materials like stencils or paints, and I’m terrible at art.
So I had to figure out a way to make a decent sign in less than an hour, for less than a dollar, with zero artistic ability. I’m not saying my method—or my sign—is the best. But it is a cut above my recycled cardboard ones, and looks quite good for the amount of time/money/effort I put into it. Want to make one too?
Here’s what you’ll need:
Poster board (One sheet cut in half to make two signs)
An index card
A ruler or yardstick
Markers, pencil, and scissors
I had all these things on hand except for the poster board. That cost me 79 cents.
Here are some optional things:
Artwork printed off the internet
Here’s how to do it in ten easy steps:
1. Decide what your sign will say. Shorter is better! The experts say fewer than seven words is ideal. My sign for the tax march says “No one is above the law.” That’s a message I think we can all agree on!
2. Measure your space. Now that you know what you want to say, you know how many letters per line you’ll be writing. Be sure to count the space between words! In my case, I was doing two words per line, so my longest string was “is above.” I’d need eight spaces for that.
3. Do the math to figure out how big each letter should be. My poster board was 14 inches wide. Therefore, each letter could only be 1.5 inches wide. (8 x 1.5 = 12 inches, plus .25 inches between each letter for a total of 14 inches.)
4. Make a rectangular stencil out of your index card. I made mine 1.5 inches wide and 2.5 inches tall. That’s the orange rectangle in my photo.
5. Very lightly, in pencil, trace around the index card as many times as you have letters. For me, that was 6 boxes for line one, 8 boxes for line two, and 7 boxes for line three. Remember that the space between the words counts as a box! (Also: I discovered that with fewer letters on lines one and three, I could make those boxes slightly bigger. But let’s pretend for this tutorial that they were the same.)
6. Now you have neat little boxes to make your letters in. Every letter will be the same size and you won’t run out of room. A good artist would simply freehand the letters at this point, but I am not a good artist. I penciled in every letter. It didn’t take long and made me more confident with the markers. Make your letters really thick! Thin ones can’t be read from far away.
7. Color in the words with markers. This is always my favorite part. I love to color.
8. Erase the pencil lines. Also my favorite part.
9. How about some artwork? Here’s my big secret. I simply found an image I liked on the internet, printed it, cut it out and glued it to my sign with glue stick. Done! The sign is ready to be carried to the march. But what about that second piece of poster board?
10. If you want to, you can use the other piece of poster board to make a second sign. Tape the signs back to back, and put a yardstick (or a cardboard tube) in the middle for a handle. Your sign will be more visible if you carry it above your head.
Have a good march! Make new friends. Yell really loudly. Connect with important local organizations. Remember to stay hydrated and always clean up your trash. Peaceful assembly is your constitutional right and speaking truth to power is one of the very best things Americans can do.
Especially when our signs don’t suck.
About the Author: Alex Kourvo is a freelance editor. She finds protesting an important part of being a good American citizen.