It takes guts to write something. It takes even more guts to delete it.
I recently got a new job working as a part-time editor for a small press. The first book I was assigned to work on was a memoir called Ginger Stands her Ground. It was written by the bravest writer I’ve ever met.
Ginger Ford has lived with polio for 66 of her 70 years. Her life’s story details the complexities of being disabled before the ADA. In the era before ramps and automatic doors, Ginger had to learn to adapt to a world not built for her. She recalls trying to hide her leg braces to fit in at school, the terror of learning to drive a hand-controlled car, the near-impossibility of finding an accessible college, and the worry that she’d never get married and have a family of her own.
But here’s the thing. Ginger Stands her Ground is not a downer. Ginger has a relentlessly cheerful spirit and she always, always looks on the bright side of things. It’s as if the word “resilient” was coined just for her.
The memoir she wrote was utterly fascinating. It had a problem, though. A big one. The manuscript she turned in was 235 pages long, but the story effectively ended on page 200. The final 35 pages were well-written, but they didn’t fit the current story whatsoever.
I paced the floor, agonizing. Could I really ask her to lop off the entire last section of her book? How would she take it? Would she complain to my boss? This was my first project with Fifth Avenue Press. Ginger was a first-time author. I saw so many ways this could go badly.
But I’m an experienced editor, and I knew my instincts were right. Those 35 pages had to go. So I wrote the most gentle editorial letter of my life, explaining what needed to be done, and then I held my breath, waiting to see what Ginger would do.
She cut those pages without a second glance.
It was the bravest thing I’ve ever seen a writer do.
Some people might think it wasn’t a big deal, but let me tell you something. It was. I’ve seen professional writers who’ve been writing for decades fight to preserve pages they know aren’t working. I’ve been one of those writers from time to time.
It would be one thing if I’d asked her to cut bad or ineffective writing. But I was asking her to cut pages that were very, very good. Later, Ginger took that section and submitted it as a stand-alone piece to the Writer’s Digest competition, where she won an honorable mention. But at the time, she didn’t know she could do that. For all she knew, removing those pages meant they were lost forever. But her editor asked her to remove 1/6 of her book, so she immediately ripped it out and didn’t look back.
That’s not just brave. That’s like, writer superhero brave.
And the thing is? She didn’t think she did anything remarkable. She approached the editing of her memoir the way she approaches everything—with cheerful good humor and the determination to make the best of the situation, no matter what.
If you want to check out Ginger Stands her Ground, it’s on sale now at Amazon and everywhere else. Ginger isn’t on social media, but she gave me permission to post this, and I’ll be sure to pass along any words of encouragement left in the comments.
About the Author: Alex Kourvo is an editor-for-hire who works with all kinds of writers, especially brave ones.